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I’ve also (for reasons I’ll explain in a later Insight) transcoded these files into a 12-bit J2k MXF using a PQ curve, and Open EXR sequences. In my testing so far, I’ve been working with r3ds and Arri raw files. It’s generally accepted that 10-bit footage is the minimum for HDR work. UPDATE: This issue has been fixed in subsequent versions of Resolve. I’ve only noticed this in my testing once or twice but I’ve been assured by the Resolve development team that these small issues will be addressed in a future update. 2084 transforms not exactly hitting peak level and some slight banding. One important note: right now in Resolve 12.1 there seems to be a small issue with some of the ST. 2084 LUT, but its nice to know there is more than one way to handle HDR workflow in Resolve. 2084 transforms are also available as LUTs in Resolve that can be applied at the node level or timeline level just like any other LUT.Īs of yet, I have not done a detailed analysis of using RCM vs. While I so far prefer the color managed approach that RCM provides, it should be pointed out that ST. 2084 option based on your monitor’s capabilities – 500 nits, 1000 nits, etc. Davinci resolve color grading workflow movie#I’ll show this setup in the movie below, but the nice thing about using RCM is that you can simply choose an ST. Using RCM, the proper mathematical transforms for input/timeline and output colorspaces are applied. The basic workflow with HDR grading in Resolve 12 is to use Resolve Color Management or RCM. 2084 and the Dolby Vision PQ EOTF, Resolve supports (rather easily) HDR grading. The DaVinci Resolve development team – in large part due to Resolve being used by some of the top grading houses in the world – has been ahead of the curve (pardon the pun) with HDR.īased on SMPTE ST. ![]() Davinci resolve color grading workflow pro#Later in the Holiday Marathon, I’ll explore the same subject in Premiere Pro where things are a bit more….interesting. While I’m still figuring out what HDR means for the way I approach grading, I thought I would share some of the technical/workflow bits about getting setup to grade HDR in Resolve. Davinci resolve color grading workflow software#I got a lot out of both of these chats including some clarification on HDR standards & aesthetic considerations for HDR grading.īut the way I learn is by trying things for myself – making mistakes and trying different approaches.Īs I mentioned in that previous Insight, I’m just starting my exploration of HDR and this week and next, I have a top of the line Sony BVMX300 to test HDR workflow within Resolve & Premiere Pro – the two principle pieces of software I use every day. Tutorials / HDR Essentials / HDR Essentials: Getting Setup In DaVinci Resolve Seriesĭay 11: 25 Insights in 25 Days Holiday Marathon Getting Setup For HDR Grading Is Surprisingly EasyĮarlier in this year’s holiday marathon, I interviewed Bram Desmet & Juan Salvo about HDR. ![]()
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